Notes: Generator is a highly versatile multi-channel analogue step sequencer. It provides a fun and intuitive, yet powerful way to create rhythms and melodies with your modular and CV synths.Why do I need this sequencer? What's so special?Generator is a very compact and high-quality step sequencer. It's USP is that it is a playable sequencer. You don't just set up a sequence and leave it looping.
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The patches below refer to the first Dark Energy from Doepfer. If you are using DE II or III then the patch might sound a bit different to the one I created, due to. Shop unique Oscillator Posters on Redbubble. Hang your posters in dorms, bedrooms, offices, or anywhere blank walls aren't welcome.
The UI is designed in such a way as to make it easy, fun and intuitive to alter the rhythm and to get alternative sequences playing using the real time touch pads.Generator has plenty of scope for re-patching the signals using CV leads, or via the pre-configured switches.Generator is super easy to hook up to your analogue synthesisers, Eurorack, and other analogue gear.Sync to DAW is very easy and solid, using MIDI note 60. Play that note and the sequencer will step.No menus of multi-button pressed. WYSIWYG front panel control.Generator can be as complex or as simple as you want it to be:Analogue Solutions have given this sequencer a large and diverse number of controls, that along side the patch sockets, will give even the best and experienced electronic musician endless possibilities.The controls are presented in a user friendly and familiar sequencer layout that, together with this manual and other resources, enable even the new guy to get great patterns quickly.No compromise has been made with the construction of Generator.
Cheaper parts have not been used!Feature Overview:Analogue Sequencer:Three channels of 16 steps, each providing true analogue CV outputs. These run in parallel. Total pattern length can be changed, or the pattern reset.Gate Outs:Gate output, with an inverted 'flipped' output (positive voltage, but the 'state' is inverted.
So this output does the opposite of the main Gate output).Voltage Generator:Six 'note' interval voltage generator keyboard. Use to transpose the sequence, reset, start and other things too! Can be clocked by the End Pulse creating a mini-sequence that changes once per bar. Can be used independently as a mini keyboard!Voltage Controlled Internal Clock:The internal clock is analogue using an analogue LFO. Speed can be changed using CV.
The sequencer can also be clocked using a MIDI note or even using an external clock signal from a modular.Versatile Control:Many controls, switches, and jacks to allow you to alter the way the sequencer steps or behaves.Intuitive Real Time Gate Control:Or, IReTiGaC (patent pending). Alter the rhythm in real time using just 4 rotary knobs.Jack Sockets:So many jacks sockets!Compact:Slim form factor. Notes: Arturia's BeatStep offers a new degree of functionality and performance for a portable pad controller.BeatStep is highly versatile, capable of triggering clips in such applications as Ableton Live, it also allows you to play drums in conjunction with such applications as BFD or EZDrummer.BeatStep is also a 16-step analog sequencer for creating all kinds of musical phrases to be sent to analog synthesizers, MIDI drum machines, MIDI keyboard devices, or computer programs.
Its vast connectivity allows you to interface BeatStep with a computer or iPAD using USB, a drum module using MIDI or an analog synthesizer equipped with CV/GATE.BeatStep is designed to give you the control you need whether it is in conjunction with your favorite DAW or loop triggering software, VST Instrument or Effect, Drum software, DJ application, MIDI synth or even CV/GATE equipped analog gear. The possibilities are nearly endless.BeatStep fulfills multiple requirements for a wide variety of musicians.
It is a true chameleon in that it can become many things to many people. No other compact pad controller on the market offers this level of control along with a step sequencer at such an amazing price.Beatstep's 16 pads are both pressure and velocity sensitive which means that they allow you to capture the nuances of your performance. Beastep is the perfect control surface for producers and percussionists using iPads or software instruments such as BFD, Kontakt, Live's Drum Rack, EZ Drummer, Addictive Drums, Geist or Reason Kong.BeatStep goes beyond the typical pad controller functions by adding a step sequencer. This opens it up for people who are using either MIDI modules, CV/GATE synths like the MiniBrute or MicroBrute and also to people using plug-ins on their computer via USB. While your sequence is playing switch to Controller mode and use the pads and knobs to enable and disable effects or tweek filters, attack and decay times on plug-ins, etc. BeatStep will allow you to create new ideas and add to your live performances in unlimited ways.Wether you use Ableton Live, Traktor, Serato or any other DJ/clip playback software, the Beatstep pads are perfect for launching samples or enabling effects. The 16 encoders give you lots of possibilities of mapping them to eq's, filters, delays and other performance effects.
BeatStep makes a stylish and portable companion to your other DJ control surfaces.Beatstep is the perfect solution for stage performers looking for a solution to send Midi messages and control changes to their hardware gear and workstations. Thanks to the included Midi Control Center, mapping Beatstep to your needs becomes a breeze.With 16 velocity and pressure sensitive pads, BeatStep is the perfect compact solution for playing percussion. The ultra sensitive pads allow for great dynamic performances.
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The 16 encoders can be assigned to adjust parameters that allow further real-time control over your drum sounds. Add to this the 16 user presets and you can have controller setups for all occasions.The Step sequence mode turns BeatStep into a completely different product. A step sequencer is the most basic type of music sequencer. They were popular in the 1960's and 70's.
They have come back into fashion with the popularity of modular synthesizers. There are examples of step sequencers in our Arp2600 V, Modular V, and Jupiter 8 V software.In SEQ mode, the pads and encoders work together to set and enable steps in a sequence and set pitches for each step.By simply pressing a pad, it will enable or disable the current step in a melodic pattern.
With a few presses, you are creating and changing up musical patterns in real-time.BeatStep allows for 16 sequences to be stored in memory and recalled instantly. This allows you to play multiple patterns and create your own songs.Setting pitches on a step sequencer can be difficult, to allow you to find the notes you want we added scale modes that quantize the pitches of the encoders to a specific set of notes. This means that instead of having the encoders move up and down chromatically like most step sequencers, you can set BeatStep so that you will only be allowed to pick notes that belong to the scale you want to work in. Look ma, no wrong notes! Notes: When the classic MS-20 analog synthesizer appeared in 1978, it had a trusted partner in the SQ-10 step sequencer. Now, after thirty years, the MS-20 has been reborn as the MS-20 mini, and the SQ-10 has evolved into the more modern SQ-1.The SQ-1 is a compact step sequencer with 2 x 8 steps. It's wealth of connection jacks allows it to be connected to the MS-20 and a variety of other synthesizers.
Vintage analog synths or the latest compact synths can be controlled from this single unit. You can also switch between a variety of synthesizer modes and use the step buttons to create performances overflowing with spontaneity, just as when using a volca unit.Liberate yourself from the numerically-bound parameter editing that's typical on a DAW; you'll enjoy truly musical inspiration as you train your ears and concentrate on what your fingertips are doing. Don't miss the experience of music that's driven by your instinct.Rather than the commonly used V/Oct standard, the CV design of the MS-20 always used the Hz/V standard that provides excellent pitch stability limiting the step sequencers that are able to correctly control the MS-20.
As a descendant of the SQ-10, the SQ-1 supports the Hz/V standard, enabling it to perfectly control the MS-20 or MS-20 mini. It goes without saying the V/Oct standard is also supported, and the voltage level of the CV output and polarity of the GATE output can be specified as appropriate for the device you've connected. This versatility will enable you to control a wide variety of other synthesizers as well.As a connector, the SQ-1 provides two CV/GATE OUT channels, the standard MIDI OUT and USB MIDI, littleBits out (to connect to the littleBits synth kit by littleBits Electronics Inc.), plus the SYNC IN/OUT channel that allows you to connect to the volca series and monotribe. Compact and complete with all the functions you need, the SQ-1 is the ideal hardware sequencer.The SQ-1 provides two channels (A and B) of 8-step sequencer that can operate consecutively, or be used in a variety of other modes. For example, you can run A and B following each other to function as a 16-step sequencer, ignore the order and make the steps play randomly, or use A and B to control different parameters as they run in parallel. From simple sequences to complex changes, you can choose from a variety of modes to suit your needs.The 2 x 8 step buttons can be used in the usual way to turn notes on/off, but you can also use the MODE button to switch their function, opening up powerful possibilities such as letting you 'perform' the sequence itself, as on a volca unit.'
Active Step' lets you skip steps mid-way through a sequence, and 'Step Jump' lets you instantly play just the step that you press, producing irregular rhythms or effects that are reminiscent of short loops. 'Slide' produces an effect in which steps are connected smoothly; using this to control a synth bass is an easy way for anyone to generate an acid sound.Packed with carefully selected functionality, the SQ-1 features a compact and very sturdy sheet-metal body. Placed beside the MS-20 series, you'll notice a sense of solidity that gives the impression they were manufactured in the same era. The unit can operate on two AA batteries or on USB bus power.Sequence step resolution is selectable as quarter notes, eighth notes, or 16th notes.You can specify the way in which the step knobs control the pitch.
The knob values can specify the pitch directly, or they can specify the closest note in a major, minor, or chromatic scale. Notes: The new Korg Volca Sample is a very intuitive and powerful volca sequencer, that allows you to sculpt samples with the Analog Isolator, and also features loads of new functions such as dedicated iOS app; song mode and reverse function.This sequencer lets you recapture the excitement of the first generation of samplers, in which any sound - vocals, spoken words, ambient sound, or glitches - becomes material for your creations!The step sequencer is designed for ease of editing and to allow parts to be inserted or removed 'on the fly.' Use the 16 step keys to enter notes intuitively while maintaining visual confirmation of the timing of the notes in a measure.
You can also record your performance in real time. Up to ten of the sequence patterns you create can be stored in internal memory.The motion sequence function records your knob movements, letting you add time-varying change to the sound. This is a great way to polish your loops, and also lets you generate highly original live performances.
The volca sample is able to record all knob movements that are related to sound editing. This allows sophisticated editing that had been impossible for hardware samplers of this category.Parameters that can be used with Motion Sequence:Start Point (Playback start location)Length (Playback length)Hi Cut (Cutoff frequency)Speed (Playback speed)Pitch EG Int (Pitch EG depth)Pitch EG Attack (Pitch EG attack time)Pitch EG Decay (Pitch EG Decay time)Amp LevelPanAmp EG Attack (Amp EG Attack time)Amp EG Decay (Amp EG Decay time)The Active Step function lets you skip steps during the sequence, and the Step Jump function lets you instantly play just the step that you're pressing. From short-loop effects to unimaginably irregular rhythms, these functions allow dynamic performances as though you were performing the sequence itself.The Swing function adjusts the swing playback position, generating the distinctive groove of dance music styles such as hip-hop. As appropriate for the character of your song, you can shift between rushing and dragging the beat.Volca sample features a frequency isolator, which has become a powerful tool in the creation of numerous electronic genres. This lets you apply powerful changes to the sound and create development and breaks by boosting or cutting the low/high ranges.
The isolator is implemented as an analog circuit, ensuring thick sound even in the flat position.The built-in reverb effect can be switched on/off for each part. The isolator and reverb can be used together, enhancing your live performance with possibilities such as cutting the low range and letting it fly. Notes: Unlock limitless creativity with the SQUID multitrack sequencer.
Part of our TORAIZ series of musical instruments and production equipment, this inspiration tool will be the heartbeat of your studio and live setups. The SQUID will control your workflow and give you the chance to develop new styles of music as you create unique sequence patterns and phrases at the touch of a button. Connect, sync and simultaneously control up to 16 instruments via its multiple input/outputs.
The terminals are compatible with various equipment, from your DAW and hardware instruments to modular synths, vintage synthesizers and drum machines.Perfect for on-the-fly music production, the layout and controls are effortless to navigate so your ideas will come to life the moment inspiration strikes. This production tool enables you to randomize sounds, sequences, and drums - all in key. Access endless polyrhythmic-looping options and instantly change the playback direction and speeds. With the world-first Groove Bend feature, you'll really feel the groove as you generate original rhythms in real time. And by controlling everything in one place, you can focus on developing phrases.Intuitive workflow:Have fun creating phrases by tapping the 16 multicoloured LED rubber pads in the Step Edit section. Set step parameters and play live as if the pads were keys on a keyboard.
Combine various sequence functions such as Interpolation and Harmonizer to help build your sounds.Arrange phrases in real time:Rearrange phrases you've created in the Step Edit section to craft your ideas the instant they spring to mind. Enhance your sounds with performance features, such as Running Direction, Speed Modulation, and Groove Bend.Save your 'happy accidents':The SQUID records performance information in the background so you'll never lose phrases you create accidentally. When you're experimenting and hear something you love, use the Time Warp feature to recall and save it as a sequence pattern for your next track.Connect various instruments:The SQUID has a USB B terminal, MIDI terminals, 2 sets of CV/Gate outputs, and Clock and DIN Sync input/output terminals. This means you can combine the power of your DAW with modern, modular and vintage synths, as well as drum machines. Signals are converted automatically.Import and export fast:Quickly transfer sequence patterns, projects and Midi clips between the SQUID and your PC or Mac with the SQUID Manager function. Easily import a sequence pattern created on your DAW to the SQUID, instinctively arrange it using the sequencer's features, and return it to your DAW.
Doepfer Dark Energy Patch Sheet Rock 8,3/10 8432reviewsDark Energy I The Dark Energy is a compact, monophonic, analog desktop synthesizer module produced. At the time of the Dark Energy's launch in 2009, Doepfer was perhaps best known as a manufacturer of Eurorack modular systems. The Dark Energy owes its existence directly to Doepfer's modular products, it is the module in a rugged, fully-enclosed metal housing. Whereas the A-111-5 has the usual silver finish of Doepfer modules, the Dark Energy's case is an attractive black finish with retro-style black knobs, toggle switches and wooden end panels. The Dark Energy is a single oscillator synth capable of producing square/pulse, triangle or sawtooth waveforms. The square/pulse wave can be used on its own or in conjunction with the triangle or sawtooth waveforms.
Quick Estimator 2005 Keygen For Mac.The triangle and sawtooth waveforms can also be used individually, but it's not possible to use triangle and sawtooth together. The Dark Energy has two LFOs, both capable of triangle or square waves. Each LFO has a range switch for low, medium or high frequency ranges, allowing for very slow modulation, through traditional LFO settings, right up into the audio range (to about 5 kHz) allowing for audio-rate frequency modulation. The synth's single ADSR envelope generator also has a range switch, so the envelope can vary from very short and snappy to very long and slowly evolving.I have a few questions about the contact points named in the Dark Energy II's. If you Google/Bing/Ask Jeeves 'Doepfer Dark Energy 2. If you patch the.
Dark Energy web site with patch. Analog Sequencer suitable for Dark Energy: Dark.The VCO frequency can be modulated either by LFO1 or the envelope, whilst the continuously variable pulse-width can be modulated by LFO2 or the envelope. With the LFOs set in the audio range, interesting FM sounds can be achieved, but unfortunately the LFO frequency cannot track the keyboard. The VCA level can be increased so that drones can be produced, or it can be controlled by the envelope or LFO1, again with filter FM capabilities with the LFO on the high setting.The filter is a 24 dB/octave Curtis filter with VCO tracking, which can be set to off, half or full tracking.
The filter resonance can be turned up such that the filter self-oscillates, allowing a sine-wave sound to be blended in with the other waveforms. The tracking is not as precise as the VCO and it is not temperature compensated, but the sine tracks pretty well over a couple of octaves without adjustment.The filter cut-off can be controlled either by the envelope or LFO2, the level control being labelled XFM for exponential frequency modulation. The control labelled LFM provides linear audio-rate frequency modulation of the VCF by the triangle waveform of the VCO allowing for other rich sounds. Portamento is a cheap, optional extra for DIY fitting, although some retailers sold the unit with the option ready fitted. Unfortunately, the positioning of the glide knob on the front vertical panel means that the unit has to be laid flat. The Dark Energy is a very capable little synth, able to produce fairly complex sounds that belie its single oscillator nature and delivering quite a punch in a very small package. It can produce beefy bass-lines, classic-sounding leads or more aggressive ones, plus interesting, gritty FM-based effects and noises.
And there the story might end, were it not for the patch points that adorn the bottom of the top panel and the back panel.These 1/8 inch sockets allow the Dark Energy to interface with other equipment via 1V/octave control voltages. Consequently, the Dark Energy has been described as a 'gateway drug' into the world of modular synthesis! The Dark Energy can be controlled via traditional DIN MIDI input, or via USB MIDI, the latter being the only digital component in the machine. Between the USB connection and the CV patch-points, the Dark Energy effectively can be used as a MIDI-to-CV interface, another little trick up its sleeve. The patch-points on the rear deliver CVs controlled by incoming MIDI messages, such as pitch-bend, velocity or control changes.
The front panel patch-points comprise outputs for audio and envelope and LFO1 CVs and inputs for external audio and CVs for gate, VCO frequency and pulse-width, VCF frequency and VCA amplitude. Post navigation.
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